[Return to Home Page] [Jump to a 12-4-98 "Update" for this published article]
Interface Monthly is currently changing
their Website, which has temporarily put previous interviews into the 'under construction'
category. While you can access the current edition of Interface Monthly/Weekly
Interview at this address: http://www.interfacedaily.com/
— many articles are off-the-air until the publication completes its Website
upgrade.
We have copied the May 11, 1998 interview — as originally published
by Interface Monthly — and reproduced the text below. (When the magazine completes
their Website changes, we'll restore their original link for the interview with ARTCRAFT
Music Rolls.) Happy Reading!
Each week, Interface Daily interviews an
individual in Northern New England's
business community. This week's interview
is with:
Douglas Henderson, owner of ARTCRAFT Music Rolls in Wiscasset,
Maine.
For almost fifty years Henderson has produced music rolls for player
pianos and during
that time has used various technologies in doing so.
Interface:
What does ARTCRAFT do and how long have you been in
the player piano business?
Henderson:
ARTCRAFT Music Rolls began,
officially, in 1982 - as a sideline to our museum of mechanical musical instruments
in
Wiscasset, Maine: The Musical Wonder House - but by 1986 the player roll business
had grown to the point where a special Studio was set up, around the corner. Here,
I have old Steinway player grand pianos and ancient perforators side-by-side with
Tandberg analogue tape decks and modern electronic equipment, since musical analysis
through audio replay is the essence of my system for creating the Master Rolls.
My
interest in player pianos began in the early '50s, and I began cutting music rolls
at that time - some 46 years ago.
(The Musical Wonder House reopens for its 35th
Season on Memorial Day, but I'm not involved with its operation at this
time.)
Rolls are very labor-intensive!
Interface:
Since you've been
dealing with player pianos, what is the range of technologies you've used throughout
the years?
Henderson:
Unlike the traditional roll arrangers,
who used graph paper methods (and often MIDI layouts today), I have never been
tied
to sheet music notation - which these systems employ for their perforation standards.
I began with a Wilcox-Gay Tape Recordio (an early open reel deck) and eventually
progressed to my present (Norwegian) Tandberg Cassette and open reel equipment -
plus a variable-speed Sony-Marantz deck which allows me to "tune" audio
recordings to my 2 Steinway player grand pianos. Instant replay is part of my perforating
method, so audio plays a major role in these activities. The actual perforators date
from 1911 and are cast iron manually-operated machines.
Interface:
Are
your clients local, national or global?
Henderson:
ARTCRAFT
Rolls has been global from the very beginning. My Paris representative has played
ARTCRAFT releases at
The Louvre and the Musée d'Orsay. I have cut player rolls
for Swedish TV-Radio and my rolls were even used for the
soundtrack of a French
film shot in Russia (which was doubling for the Yukon in the 1920's on the screen).
Since we have improved the perforated paper roll from its "sheet music transfer"
beginnings to something with virtuoso 'keyboard attack', ARTCRAFT has no competition
in the World. If people desire special music or rolls which can be played for concert
hall audiences, they seek me out.
Interface:
How has technology
helped you market your services/product?
Henderson:
The Internet
has literally doubled the interest in ARTCRAFT Rolls, and about half of it comes
from foreign countries. My
URL was launched at the end of 1997 and life hasn't
been the same since, making me wonder why I published elaborate printed catalogues
for so many years. Our roll descriptions on-line are the equivalent of 102 pages
- if everything is printed with default type in Navigator 2.0 or higher. (No printed
catalogue could complete with that)! The business operates on 2 Toshiba laptops,
one of which has a PCMCIA modem. Both have SCSI cards and my data is shared between
them, via Iomega ZIP drives and stacked external SCSI hard drives. I also have a
cellular 'phone setup which allows me to send and receive E-Mail in our automobiles,
and with rechargeable battery power as well. We don't have - or want - desktop computers.
Interface:
What are some of the benefits and disadvantages
of being located in Northern New England?
Henderson:
The only
disadvantage of living and working in this area - save the winter weather conditions
- is that everything has to be shipped out-of-state, for the most part, which creates
a lot of parcel wrapping for this two-person business. The pace of life in Maine
- still clinging to the "two lane road" lifestyle in this region - is well-suited
for the tranquility one needs for this specialized artistic work.
Interface:
What
advice do you give to small businesses in Northern New England who are trying to
market themselves outside of the region? Also, are there any particular technologies
you would suggest in doing so?
Henderson:
Anyone who needs to
start a small craft business in Maine should have about 5 years of a "buffer"
income, due to the time it takes to get a new enterprise running. Our museum took
about 8 years before it became well-enough known to attract a flow of tourists. I
already had a network of player piano roll collectors - going back to 3x5" index
card files dating from the early '50s. (Happily, the current database is on my SCSI
drives now)! The higher-than-average electric rates and other utility costs
have
to be considered when moving here. Ditto for the water which - for Wiscasset - means
purchasing bottled water for all our drinking and cooking needs. Outside of that,
Maine is an excellent choice for a small craft enterprise, if one is on the Internet.
The aura of "Maine" as a name seems to attract customers from outside the
area. It suggests a personal resolve and individualism which is lacking in so many
products from other regions.
To learn more about ARTCRAFT Music Rolls visit
their web site at http://www.wiscasset.net/artcraft/
See the text at the bottom of this page for an UPDATE concerning the
Interface Monthly article!
Interview conducted by:
Sarah
Jane Slezak — Online Editor
Previous Interviews:
Dan Brown,
L.W. Packard Mill, Ashland, New Hampshire
Christine Glade, RuralVermont.com,
West Pawlet, Vermont
Mark Johnston, Saco, Maine; Main Street/Island Committee
Chair
Michael Mancini, Executive Director of the Center For Economic Development
in Nashua, New Hampshire
Marilyn Moss, President of Moss Inc. in Belfast,
Maine
William K. Phillips, District Director of New Hampshire's Small Business
Administration
Paul LeBlanc, President of Marlboro College and founder
of its new Graduate Center in Marlboro, Vermont
Jay Gowell, President of
TekSupport in Portland, Maine.
© copyright 1998 Interface Media Group
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ARTCRAFT Music Rolls — Virtuoso "Interpretive Arrangements" for
the Player and 'Reproducing' Piano
Wiscasset, Maine 04578 USA Telephone:
(207) 882-7420